{"id":12734,"date":"2023-08-04T15:08:19","date_gmt":"2023-08-04T15:08:19","guid":{"rendered":"https:\/\/penbelarus.org\/?p=12734"},"modified":"2024-06-12T13:29:47","modified_gmt":"2024-06-12T13:29:47","slug":"manitoryng-parushennya-kulturnyh-pravou-i-pravou-chalaveka-u-dachynenni-da-dzeyachau-kultury-belarus-studzen-cherven-2023-goda","status":"publish","type":"post","link":"https:\/\/penbelarus.org\/en\/2023\/08\/04\/manitoryng-parushennya-kulturnyh-pravou-i-pravou-chalaveka-u-dachynenni-da-dzeyachau-kultury-belarus-studzen-cherven-2023-goda.html","title":{"rendered":"Monitoring Violations of Cultural Rights and Human Rights of Cultural Figures. Belarus, January \u2013 June 2023"},"content":{"rendered":"<p class=\"p4\" style=\"text-align: justify\">Since October 2019, PEN Belarus has systematically documented the violations of cultural rights and human rights of cultural workers. This monitoring report contains statistics and analyses of violations in the field of culture in January\u2013June 2023. It summarises information collected from open sources (77% of cases), through personal contacts (11%) and in direct communication with cultural figures in the framework of the research project <a href=\"#semi\" target=\"_blank\" rel=\"nofollow noindex noopener\">[1]<\/a> on hidden repression (11%).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p6\" style=\"text-align: justify\"><i>NB: For users\u2019 information security, we do not provide direct links to information sources if they are subject to restrictions under the current regulations in the Republic of Belarus.<\/i><span class=\"s1\"><i> <\/i><a href=\"\/en\/2020\/12\/20\/pra-manitoryng-belaruskaga-pena-o-mon%D0%B8tor%D0%B8nge-belarusskogo-pen.html\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s2\"><i>More on the monitoring<\/i><\/span><\/a><\/span><span class=\"s3\"><i>.<\/i><\/span><\/p>\n<p class=\"p8\" style=\"text-align: justify\"><span class=\"s4\"><a href=\"#main\" target=\"_blank\" rel=\"nofollow noindex noopener\">Main results of the monitoring<\/a><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/span><span class=\"s4\"><a href=\"#Human\" target=\"_blank\" rel=\"nofollow noindex noopener\">Human rights violations against cultural figures<\/a><br \/>\n<\/span><span class=\"s4\"><a href=\"#Criminal\" target=\"_blank\" rel=\"nofollow noindex noopener\">Criminal prosecution<\/a><br \/>\n<\/span><span class=\"s4\"><a href=\"#Administrative\" target=\"_blank\" rel=\"nofollow noindex noopener\">Administrative prosecution<\/a><br \/>\n<\/span><span class=\"s4\"><a href=\"#Dismissals\" target=\"_blank\" rel=\"nofollow noindex noopener\">Dismissals<\/a><br \/>\n<\/span><span class=\"s4\"><a href=\"#Other\" target=\"_blank\" rel=\"nofollow noindex noopener\">Other forms of persecution<\/a><br \/>\n<\/span><span class=\"s4\"><a href=\"#Administrative\" target=\"_blank\" rel=\"nofollow noindex noopener\">Administrative obstacles to cultural activities. Censorship and \u201cblacklists\u201d of cultural figures<\/a><br \/>\n<\/span><span class=\"s4\"><a href=\"#Addition\" target=\"_blank\" rel=\"nofollow noindex noopener\">Addition to the list of cultural &#8220;extremist materials&#8221;<\/a><br \/>\n<\/span><a href=\"#Public\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s4\">Public policy issues in the cultural sphere<\/span><\/a><\/p>\n<p class=\"p12\" style=\"text-align: center\"><span style=\"color: #3366ff\"><b><a id=\"main\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>MAIN RESULTS OF THE MONITORING<\/b><\/span><\/p>\n<p class=\"p13\" style=\"text-align: justify\">Politically motivated persecution of cultural figures in the first half of 2023 was mainly in connection with the 2020 events in Belarus. Targeted were those who participated in peaceful protests, endorsed collective appeals from professional communities to the state authorities to stop violence against citizens, donated to violence victims\u2019 relief funds, left reactions on social media under high-profile publications and carried out other actions at the time. Subject to prosecution also was subscription or distribution of &#8220;extremist materials&#8221; and dissent, in general.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p13\" style=\"text-align: justify\">Interrogations and searches, detentions and administrative arrests of cultural figures, criminal prosecutions, pressure on prisoners in correctional institutions, and inclusion in state-approved lists of &#8220;extremists&#8221; and &#8220;terrorists&#8221; continued unabated. There were both targeted and mass dismissals of undesirable employees. Professionals from various cultural sectors found themselves on &#8220;blacklists.&#8221; There is a de facto ban on the profession for representatives of the independent cultural sector and those who worked in state-run cultural and educational institutions but were deemed disloyal to the regime. Cultural figures are forced to leave the country, some facing the \u2018leave or go to prison\u2019 choice. Those who remain in Belarus continue their work (&#8220;&#8230;<i>people are just afraid if I am honest. But we are doing something, you know?<\/i>&#8221; (\u00a9 )) <a href=\"#Quotes\" target=\"_blank\" rel=\"nofollow noindex noopener\">[2]<\/a> and, realising a new reality, resort to self-censorship and anonymity. The independent culture lives in a &#8220;silence mode&#8221; (&#8220;&#8230;<i>now the silence is our main asset&#8221; <\/i>(\u00a9)) and is in search of other ways of creative expression and self-realisation.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">In January\u2013June 2023, there were 925 violations of cultural rights and human rights violations against cultural workers in Belarus.<\/li>\n<li class=\"li13\">The infringement on the right to a fair trial\/access to justice and censorship are the prevailing violations against cultural figures in the monitored period.<\/li>\n<\/ul>\n<p class=\"p15\" style=\"text-align: justify\"><span class=\"Apple-converted-space\"> <img decoding=\"async\" class=\"alignnone size-full wp-image-12763\" src=\"\/wp-content\/uploads\/2023\/08\/slajd1-4.jpg\" alt=\"\" width=\"1280\" height=\"720\" \/ loading=\"lazy\" srcset=\"https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd1-4.jpg 1280w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd1-4-300x169.jpg 300w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd1-4-1024x576.jpg 1024w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd1-4-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">The following cultural figures died behind bars: artist Ruslan Kar\u010dauli (in a Hrodna prison), cultural manager and blogger Mikalai Klimovi\u010d (in a Viciebsk penal colony), artist and performer Ale\u015b Pu\u0161kin (in a Hrodna prison). Human rights activists and members of the public attribute these tragic deaths to the conditions of detention and inadequate medical care in closed institutions of the Ministry of Internal Affairs (MIA). The poet Dzmitry Sarokin died under unclear circumstances at the Lida District police station.<\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">As of 1 July, no less than <a href=\"#known\" target=\"_blank\" rel=\"nofollow noindex noopener\">[3]<\/a> 133 cultural figures were in penal colonies, prisons, pre-trial detention centres (SIZOs), open-type correctional facilities or home confinement <a href=\"#institution\" target=\"_blank\" rel=\"nofollow noindex noopener\">[4]<\/a>. Human rights defenders recognised 114 of them as political prisoners.<\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">At least 15 people have remained in detention for over 1,000 days or almost three years. Cultural workers persecuted for political reasons are subjected to cruel treatment, constant restrictions and pressure. Their communication with the outside world is either absent or significantly restricted.<\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">At least 48 cultural figures were convicted. In most cases, their criminal prosecution was based on charges under Article 342 of the Criminal Code of the Republic of Belarus (\u201cOrganising and preparing actions that grossly violate public order or actively participating in them\u201d) \u2013 for participating in peaceful rallies and protests. At least 212 people have been convicted since the end of 2020. <span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">During this half of the year, monitors recorded 130 cases of arbitrary detention of cultural figures and 104 administrative prosecutions. At least one in two police reports was drawn up under Article 19.11 of the Code of Administrative Offences (&#8220;Distribution, manufacture, storage, transportation of information products containing calls for extremist activity or promoting such activity&#8221;) \u2013 for subscribing to or reposting publications on the Internet.<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">Cultural workers are summoned for interrogation, searched at border crossings, made to record &#8220;penitential&#8221; videos, pressurised through relatives, fired from state-run cultural and educational institutions, expelled from creative unions (e.g. the Union of Artists), etc.<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"text-align: justify\">Crackdown on dissent and freedom of expression takes place under the guise of combating extremism and terrorism:<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none\">\n<ul style=\"list-style-type: circle\">\n<li style=\"text-align: justify\">The Ministry of Internal Affairs included 153 cultural figures in the &#8220;<a href=\"https:\/\/www.mvd.gov.by\/ru\/news\/8642\" target=\"_blank\" rel=\"nofollow noindex noopener\">List of<\/a> citizens of the Republic of Belarus, foreign citizens and stateless persons involved in extremist activities&#8221;; 23 people are on the State Security Committee (KGB)\u2019s &#8220;<a href=\"http:\/\/kgb.by\/ru\/perechen-inf-ru\/\" target=\"_blank\" rel=\"nofollow noindex noopener\">List of<\/a> organisations and individuals involved in terrorist activities&#8221;. 20 persons are on both lists. Inclusion in the lists entails additional rights restrictions.<\/li>\n<li style=\"text-align: justify\">The music group Tor Band, the non-governmental organization &#8220;Belarusian Association of Journalists&#8221;, the regional media outlets <i>Homiel \u0160todzie\u0144<\/i> (Homiel Daily) and <i>MOST<\/i> (they cover, among other things, the topics of the Belarusian language, historical and cultural identity) were designated by the KGB as &#8220;extremist formations&#8221;.<\/li>\n<li style=\"text-align: justify\">At least 75 culture-related materials (including social media accounts run by cultural figures) were labelled &#8220;extremist&#8221; by the Ministry of Information. The list includes 18 books, 12 issues of the <i>Our History<\/i> and <i>ARCHE<\/i> magazines, Telegram channels dedicated to Belarusian history and language: <i>Historyja<\/i>, <i>Belarus history<\/i>, <i>Belaruski Babilon<\/i>, <i>Tolki pra movu<\/i> (About language only), cultural and educational portal <i>Budzma belarusami!<\/i> (Let\u2019s be Belarusians!), the printed version of <i>Rehijanalnaja Hazieta<\/i> newspaper, several videos or songs by Dai darohu!, Sumarok, Deti Khrushchevok, faceOFF, the YouTube channel Tyapin CREW, the Ukrainian song &#8220;Ah, Bandero!&#8221; and some others.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\" style=\"text-align: justify\">Administrative obstacles, censorship and blocklists are the primary mechanisms for state authorities to pressure the cultural sector.<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none\">\n<ul style=\"list-style-type: circle\">\n<li>Repressions against the non-state book-publishing sector are in full swing. During the monitoring period, three publishing houses \u2013 Janu\u0161kievi\u010d, Knihazbor and Zmicier Kolas \u2013 officially stopped their work in Belarus. The government set up regulatory obstacles for distributing Belarusian books inside the country and for their export abroad.<\/li>\n<li>Another 21 culture-related non-profit organisations were liquidated by force. At least 204 non-profits have been subjected to this procedure since the beginning of the targeted crackdown on civil society in Belarus at the end of 2020.<\/li>\n<li>There are &#8220;blacklists&#8221; of politically &#8220;unreliable&#8221; writers, artists, photographers, actors, musicians, tour guides, and museum workers.<\/li>\n<li>The state deliberately creates administrative obstacles to concerts, exhibitions, meetings, hobby clubs and other cultural events. It controls theatre repertoires, film distribution, museum expositions, etc.<\/li>\n<li>There are cases when the participants of cultural events were persecuted. For example, in January, police detained the participants of a sightseeing group travelling to the rite &#8220;Kaljadnyja Cary\u201d (Three Kings), included in the UNESCO list of intangible heritage. In June, law enforcement agents raided the territory of the Stuly manor house agricultural centre when spectators had come to watch Batlejka \u2013 an amateur puppet theatre show.<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li13\">The state continues to persecute its citizens for public manifestations of being Belarusian (language, symbols, publications on national history), supporting Ukraine and condemning Russian military aggression there. It speaks the language of hostility to the population, sows hatred, Russifies the sphere of culture, and increasingly strengthens control over it.<\/li>\n<\/ul>\n<p class=\"p22\" style=\"text-align: center\"><span style=\"color: #3366ff\"><b><a id=\"Human\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>HUMAN RIGHTS VIOLATIONS AGAINST CULTURAL FIGURES<\/b><\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li19\"><b><a id=\"Criminal\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>Deaths of cultural figures in prison, criminal prosecution, court verdicts, conditions of imprisonment<\/b><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">The year 2023 brought the <b>deaths <\/b>of<b> <\/b>several<b> <\/b>imprisoned cultural figures. On 5 January, artist Ruslan Kar\u010dauli died in a Hrodna prison. According to the information received, the death occurred after suffering from pneumonia due to untimely medical care. On 6 May, cultural manager and blogger Mikalaj Klimovi\u010d, a 61-year-old political prisoner with a Class 2 heart disability, died in a Viciebsk colony. On 28 February, he was sentenced to one year in a penal colony for posting the &#8220;Funny&#8221; reaction under a satirical image of Luka\u0161enka on Odnoklassniki social network. On 1 June, 37-year-old poet Dzmitry Sarokin died under unclear circumstances in the Lida District\u2019s police station \u2013 the details of the incident are yet to be known. On the night of 11 July<a href=\"#report\" target=\"_blank\" rel=\"nofollow noindex noopener\"> [5]<\/a>, political prisoner artist and a human legend of performance art Ale\u015b Pu\u0161kin died in intensive care while his five-year prison term for his 2014 portrait of the anti-Soviet partisan Ja\u016dhien \u017dychar. To date, there is no official information about the causes and circumstances of the death of Ale\u015b Pu\u0161kin, who was serving his sentence in a Hrodna prison. However, the news that has come to light testifies to a neglected ulcer perforation and untimely provision of the necessary medical care to the artist.<\/p>\n<p class=\"p19\" style=\"text-align: justify\">As of 1 July 2023, at least <span class=\"s7\" style=\"color: #ff6600\"><b>133 <\/b><\/span>cultural figures were under <b>criminal prosecution <\/b>in penal colonies, prisons, pre-trial detention centres, open-type correctional institutions or home confinement, including <span class=\"s7\" style=\"color: #ff6600\"><b>114 <\/b><\/span>recognised as political prisoners. According to the Human Rights Centre &#8220;Viasna&#8221;, there are 1,496 political prisoners in Belarus. The initiative to support political prisoners DISSIDENTBY puts the number at 1,750.<\/p>\n\n<p class=\"p19\" style=\"text-align: justify\">At least 15 people have <b>remained in detention for more than 1,000 days <\/b>(almost three years, namely: cultural manager, video blogger and politician Siarhiej Cichano\u016dski; writer, civic and political activist Paval Sieviaryniec; philanthropist and politician Viktar Babaryka; cultural manager Eduard Babaryka; musician and activist Siarhiej Spary\u0161; dancers Ihar Jarmola\u016d and Mikalaj Sasie\u016d; author of prison literature, anarchist Aliaksandr Franckievi\u010d; musician and cultural project manager, civic activist Maryja Kalesnikava; writer, bard and lawyer Maksim Znak; documentary film director and blogger Paval Spiryn; UX\/UI designer Dzmitry Kubara\u016d; architect Arciom Takar\u010duk; history promoter, blogger Eduard Pal\u010dys; designer, architect Rascisla\u016d Stefanovi\u010d.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">Cultural workers persecuted on political grounds are <b>subjected to inhuman treatment in detention, <\/b>constant restrictions, and pressure. They remain incommunicado with their families and lawyers. Their relatives often do not hear from them for months. For example, no independent information about Siarhiej Cichano\u016dski has existed since March. Correspondence with Maryja Kalesnikava and Maksim Znak was interrupted in April. There is still no communication and information about the state of health of Viktar Babaryka after his hospitalisation in a severe condition in late April. The penitentiary system did not explain what happened to him. Cultural figures behind bars face additional pressure throughout their imprisonment term. One of the respondents in the research on hidden repression described it as a &#8220;<i>prison within a prison<\/i>&#8220;: &#8220;&#8230;<i>sitting in a [penal] colony, he <\/i>[Uladzimir Mackievi\u010d] <i>gets forbidden: people around him are not allowed to talk to him. If people around him talk to him, they get into punitive confinement&#8230; He is forbidden to receive parcels or letters. It&#8217;s terrible <\/i>\u2013<i> there are repressive methods in addition to the criminal punishment<\/i>.\u201d<\/p>\n<p class=\"p13\" style=\"text-align: justify\"><b>No less than 48 cultural figures <\/b>were <b>convicted <\/b>in Belarus during the first half of the year, including the first verdict issued in the ad hoc proceedings \u2013 the trial in absentia of Paval Latu\u0161ka, ex-culture minister of the Republic of Belarus, former director of the Janka Kupala National Drama Theatre, a politician. The charges for cultural figures were based on between one and seven articles of the Criminal Code of the Republic of Belarus. In most cases, the prosecution relied on Article 342 (&#8220;Organising and preparing actions that grossly violate public order or actively participating in them&#8221;) for participating in peaceful rallies and protests in 2020.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p24\" style=\"text-align: justify\"><span class=\"Apple-converted-space\"> <img decoding=\"async\" class=\"alignnone size-full wp-image-12764\" src=\"\/wp-content\/uploads\/2023\/08\/slajd2-4.jpg\" alt=\"\" width=\"1280\" height=\"720\" \/ loading=\"lazy\" srcset=\"https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd2-4.jpg 1280w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd2-4-300x169.jpg 300w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd2-4-1024x576.jpg 1024w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd2-4-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/span><\/p>\n<p class=\"p26\" style=\"text-align: justify\">27 cultural figures were sentenced to imprisonment in penal colonies, 19 to home confinement and 2 to a term in an open-type correctional facility.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p24\" style=\"text-align: justify\"><span class=\"Apple-converted-space\"> <img decoding=\"async\" class=\"alignnone size-full wp-image-12765\" src=\"\/wp-content\/uploads\/2023\/08\/slajd3-3.jpg\" alt=\"\" width=\"1280\" height=\"720\" \/ loading=\"lazy\" srcset=\"https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd3-3.jpg 1280w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd3-3-300x169.jpg 300w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd3-3-1024x576.jpg 1024w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd3-3-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">Paval Belavus, a prominent <b>populariser of Belarusian culture, <\/b>cultural manager, the founder of the independent cultural platform Art Siadziba in Minsk in late 2011 and the shop of national symbols Symbal.by in 2014, was sentenced to 13 years in a medium-security penal colony. The regime charged Paval Belavus with \u201cstate treason,\u201d &#8220;harming national security&#8221;, and &#8220;<i>spreading the ideas of Belarusian nationalism&#8221;<\/i> for his Belarus-minded stance and promoting Belarusian national identity through concerts, literary meetings, lectures, and popularisation of Belarusian traditional symbols. &#8220;<i>This is the most eloquent example of recent weeks<\/i>,&#8221; one of the respondents told us in an interview, &#8220;<i>as this man was not engaged in any political activity. He is a purely cultural figure, talented, active and capable&#8230; He received such a long term. The charges&#8217; wording is reminiscent of Stalin&#8217;s times because, in my opinion, no one has ever been imprisoned with the wording &#8220;Belarusian nationalism&#8221; before him&#8230; Obviously, this is a typical politically motivated verdict&#8230;<\/i>&#8220;.<\/p>\n<p class=\"p19\" style=\"text-align: justify\">Courts issued<b> terrible sentences <\/b>for human rights activist, writer, and Nobel Peace Prize laureate Ale\u015b Bialiacki (10 years in a medium-security penal colony and a 185,000 BYN (~63,000 USD) fine for his human rights work and assistance to the victims of repression); publicist, political scientist and researcher Valeryja Kasciuhova (10 years in prison for her professional activities); musician Ja\u016dhien Glu\u0161ko\u016d (9 years in a medium-security penal colony for a photo of the military airfield in the village of Ziabro\u016dka, Homiel region, from where Russian force launched missiles on the territory of Ukraine); journalist, essayist, member of the Union of Poles of Belarus Andrzej Poczobut (8 years in a medium-security penal colony for expressing his opinion on the Belarusian protests of 2020, historical facts of 1939, defence of the Polish minority). Ruslan Labanok, the founder of the Spanish visa centre, and Vacla\u016d Are\u0161ka, a cultural critic, archivist, and activist of the independent trade union &#8220;REP&#8221;, were sentenced to 11 and 8 years in a medium-security penal colony, respectively.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">At least 212 cultural figures have been convicted since November 2020.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li19\"><b><a id=\"Administrative\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>Arbitrary detentions, administrative prosecutions<\/b><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">Arbitrary detentions of people, including those with creative jobs, continue in Belarus. In January-June 2023, tour guides and musicians, cultural managers and humanities teachers, artists and writers, photographers and museum workers, dancers and artisans were detained. There were also <b>mass detentions<\/b>: employees of the Polack National Historical and Cultural Museum-Reserve (end of March), TV and Radio Company &#8220;Homiel&#8221; (early May), Viciebk State Technological University (mid-May), Polack State University (second half of May).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">In the first six months of 2023, we recorded <b>130 cases of arbitrary detention of <\/b>cultural figures. At least 88 detainees faced administrative proceedings and, in some cases, criminal prosecution. Several people were released after some time, and information on other detentions is incomplete. The monitors collected information about <b>104 administrative proceedings <\/b>against cultural figures during the study period. In rare cases, detention did not precede the trials \u2013 it could be a second police report or administrative prosecution against those already serving a criminal sentence. At least one in two police reports on administrative offence was drawn up for subscribing to or reposting publications designated by the regime as &#8220;extremist&#8221; under Article 19.11 of the Code of Administrative Offences (&#8220;Distribution, manufacture, storage, transportation of information products containing calls for extremist activity or propaganda of such activity&#8221;). The most common type of punishment was administrative arrest (at least 2\/3 of cases). No less than 861 days (almost 2.5 years) and 18,798 BYN (~5600 \u20ac) in fines were awarded to cultural figures in administrative trials in the monitoring period.<\/p>\n<p class=\"p19\" style=\"text-align: justify\">After spending days in unsanitary conditions, overcrowded cells and under constant pressure from the staff of detention centres, people are obliged to cover the &#8220;costs of their detention&#8221; in the CIO (Centre for the Isolation of Offenders) or TDC (Temporary Detention Centre). 15 days of arrest cost 277.5 BYN (~82 \u20ac). Cultural workers who worked in a state-run institution were, in most cases (if not all), dismissed after serving administrative arrests.<\/p>\n<p class=\"p28\" style=\"text-align: justify\"><span class=\"Apple-converted-space\"> <img decoding=\"async\" class=\"alignnone size-full wp-image-12766\" src=\"\/wp-content\/uploads\/2023\/08\/slajd4-3.jpg\" alt=\"\" width=\"1280\" height=\"720\" \/ loading=\"lazy\" srcset=\"https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd4-3.jpg 1280w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd4-3-300x169.jpg 300w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd4-3-1024x576.jpg 1024w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd4-3-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li19\"><b><a id=\"Dismissals\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>Dismissals<\/b><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">&#8220;Unreliable&#8221; people continue to get fired in Belarus. In the first six months of 2023, the monitors collected facts about the <b>dismissals of 48 cultural workers. <\/b>We learnt about them from open sources and when researching hidden repressions. We are trying to seek and gather information about this type of repression. Still, we are aware that the facts in this section do not reflect the complete picture of dismissals from the cultural sector, primarily because many people are reluctant to voice this information even under conditions of confidentiality. <i>(&#8220;I don&#8217;t want to give their names&#8221;, &#8220;I can&#8217;t say&#8221;, &#8220;I&#8217;d rather not give her surname&#8221; <\/i>(\u00a9), etc. <b>Loyalty checks<\/b> are routine in state-run cultural institutions. Those<b> <\/b>who<b> <\/b>do not meet ideological standards find themselves under pressure, fired or in conditions where dismissal is imminent. In 2023, firings (formalised as &#8220;contract termination by mutual agreement of the parties&#8221; in many cases) or non-renewals of job contracts occurred following an employee\u2019s detention (&#8220;&#8230;a <i>note from the police that they detained me&#8230;<\/i> <i>I mean it was just a couple of hours, not even 24 hours<\/i>&#8221; (\u00a9)), administrative arrest or criminal prosecution \u2013 technically &#8220;for absenteeism&#8221;. Dismissals could also be caused by a signature for the nomination of Viktar Babaryka as a presidential candidate in the summer of 2020 (&#8220;<i>Just some list arrives, and that&#8217;s it, you are on it <\/i>\u2013<i> and that\u2019s it<\/i>&#8221; (\u00a9)); &#8220;&#8230;<i>delations written in connection with professional activities<\/i>&#8220;; donations (&#8220;&#8230;<i>donated to &#8216;extremist&#8217; funds<\/i>&#8221; (\u00a9)); defamatory publications against cultural figures in pro-government media, online news channels and social media accounts of activists.<\/p>\n<p class=\"p19\" style=\"text-align: justify\">Dismissal from state-run institutions for these reasons entails <b>problems for <\/b>a person in <b>subsequent employment<\/b>. It means that the road to any state-funded organisation in Belarus is closed. <i>&#8220;They<\/i> <i>fired him\/her and made it clear that &#8216;you will not get a job anywhere else'&#8221; <\/i>(\u00a9). There were some cases when a specialist managed to find a job in another state-run organisation. However, it was a rare exception to the rule.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">During the monitoring period, dismissals of disloyal specialists (&#8220;&#8230;..<i>who are inconvenient<\/i>&#8221; (\u00a9)) took place in the Zair Azgur Memorial Workshop Museum, the Polack National Historical and Cultural Museum-Reserve, the Jakub Kolas Institute of Linguistics, the Institute of Philosophy of the National Academy of Sciences of Belarus, the Polack and Belarusian State Universities, the Lyceum of the Belarusian State University, the Belarusian State Puppet Theatre, Homiel City Youth Theatre and several other cultural and educational institutions. Since 2020, we have recorded 376 cases of dismissal for political reasons.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li19\"><b><a id=\"Other\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>Other forms of persecution, including violation of the right to freedom of movement<\/b><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">Cultural workers are subjected to searches and interrogations at the KGB, the Main Directorate against Organised Crime and Corruption (GUPOBiK), local police stations and other law enforcement units. They are invited \u201cfor a chat\u201d at the prosecutor&#8217;s office. Visits of law enforcers to relatives, threats, compulsion to record &#8220;repentance&#8221; videos and other forms of pressure and intimidation have also become widespread.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">The number of <b>summons to interrogation over online donations <\/b>to solidarity funds is rising. Investigators threaten people with criminal prosecution for financing &#8220;extremist&#8221; and &#8220;terrorist&#8221; activities. They encourage them to pay an amount equal to ten times the size of the donation to the bank account of a particular institution or provide a list of several institutions to choose from \u201cindependently\u201d. In some cases, there were attempts to recruit cultural figures as informants. They were asked to sign a document on cooperation and promised confidentiality and loyalty in return for providing information in the future.<\/p>\n<p class=\"p19\" style=\"text-align: justify\"><b>Questioning at border checkpoints<\/b> is yet another increasingly widespread practice of harassment and intimidation. All cultural figures from the database of those punished in administrative trials are repeatedly subject to thorough checks at the border posts when they return home. &#8220;&#8230;<i>I also have 23.34, they search, customs officers, they draw up an inspection report, but I would call it a standard procedure&#8230; it has become a new reality, something ordinary<\/i>\u2026&#8221; (\u00a9). Yet, it can be very different: &#8220;&#8230;<i>customs officers inspect you, count the money&#8230; Some man told me that he was undressed, for example. Well, this is one of those unpleasant things &#8230;<\/i>&#8221; (\u00a9). Many-fold more people now go through the &#8220;conversation&#8221; and phone inspection when they travel back to Belarus. Conversations at the checkpoint can last 40 minutes or longer. &#8220;<i>They ask you where you&#8217;ve been and why you travelled. They ask about friends, relatives abroad or particularly in Ukraine, look at subscriptions on the phone, etc.<\/i> There are known cases when a person was released after a conversation, but shortly after, officers came to their home to search the house and detain the person. We are inclined to treat all these cases as violating the right to free movement. The matter requires separate research by relevant experts. One must mention the incidents with the Polish writer Maja Wolny and the former headmistress and teacher of a Polish school, activist of the Union of Poles of Belarus, An\u017celika Orechwo. Maja Wolny in January was not allowed into Belarus despite the visa-free regime for Lithuania, Latvia and Poland citizens. She also received a ban for entering the country for 20 years. An\u017celika Orechwo in June was not allowed to exit Belarus without explanation.<\/p>\n\n<p class=\"p30\" style=\"text-align: center\"><span style=\"color: #3366ff\"><b><a id=\"Administrative\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>ADMINISTRATIVE OBSTACLES TO CULTURAL ACTIVITIES. CENSORSHIP AND &#8220;BLACKLISTS&#8221; OF CULTURAL FIGURES<\/b><\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\"><b>Repressions against independent book publishing do <\/b>not stop. On 10 January 2023, Minsk\u2019s Economic Court ruled to terminate the certificate of state registration of self-employed entrepreneur Andrej Janu\u0161kievi\u010d as a publisher. The Janu\u0161kievi\u010d publishing house was closed. The reasoning for the decision was that Janu\u0161kievi\u010d &#8220;<a href=\"https:\/\/www.facebook.com\/photo?fbid=5899441143452858&#038;set=pcb.5899483023448670\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\"><i>published<\/i><\/span><\/a>&#8221; printed editions, &#8220;<i>which contain appeals to actions aimed at harming the external security of the Republic of Belarus, its sovereignty, territorial integrity, national security and defence capability, or knowingly false information, defaming the honour and dignity of the President of the Republic of Belarus, as well as containing information of extremist or pornographic nature, information promoting war, Nazi symbols or paraphernalia, the cult of violence and cruelty, or aimed at inciting racial, ethnic or religious enmity or intolerance\u201d, <\/i>namely Alhierd Bacharaevi\u010d\u2019s novel <i>The Dogs of Europe<\/i>, a children\u2019s book based on Joseph Brodsky\u2019s poem <i>A Ballad about a Small Tugboat<\/i> and Sviatlana Kazlova\u2019s scientific monography about WWII <i>The Nazi\u2019s Agrarian Policy in Western Belarus: Planning, Resources and Implementation (1941<\/i>\u2013<i>1944)<\/i>. The Ministry of Information designated these books as &#8220;extremist materials&#8221; in 2022. The oldest private publishing house Zmicier Kolas, which had been working in Belarus since the late 1980s, was liquidated on the same pretext. On 11 April, Minsk\u2019s Economic Court ruled to terminate the certificate of state registration of self-employed entrepreneur Dzmitry Kolas following a lawsuit filed by the Ministry of Information for publishing a collection of documents about the Polish-Belarusian borderline of 1939-1941, <i>Liberated and Imprisoned<\/i>, by Doctor of History Aliaksandr Smalian\u010duk. The book was designated as &#8220;extremist materials&#8221; in January 2023. &#8220;<i>The<\/i> <i>mechanism is as follows: first they pick some book, claiming it is extremist, and then they use this pretext to close the publishing house<\/i>&#8221; (\u00a9). Since 12 February this year, the Knihazbor publishing house has been in the process of liquidation. The Ministry of Information suspended its operation for several months last year. The non-state publishing houses Goliaths and Limarius were also liquidated in 2022. As a result, the books of all these publishers are withdrawn from the sales system in state bookstores, with the consequence that &#8220;&#8230; <i>entire shelves are gone. Not just that one author or one title, the shelves are disappearing. I feel almost what I felt &#8230; in 2003 in Minsk: you go in <\/i>\u2013<i> and there is only fiction literature from the state-owned publishing house Belarus, Belarusian Encyclopaedia&#8230; Ah, Encyclopedia is already closed. And there is nothing else&#8230; One can say that only state-funded books are present in shops<\/i>&#8221; (\u00a9).<\/p>\n<p class=\"p13\" style=\"text-align: justify\">Even though the <b>sector of non-profit organisations <\/b>(NPOs) shrank significantly in Belarus in 2021-2022, forced liquidations of civil society organisations continue. &#8220;&#8230;<i>And about organisations <\/i>\u2013 <i>well, as if they were also closed down at once practically, they started to close down from 2020, and now there are no organisations left at all&#8221;<\/i>, <i>&#8220;there are no NGOs left&#8230; at all&#8221;, &#8220;&#8230;and I think they were all closed down already in 2022, leave alone 2023&#8230;<\/i>&#8221; (\u00a9). In the first six months of the year, at least 21 other NGOs in the cultural sphere stopped operations. On 10 January, the Supreme Court liquidated the oldest public organisation of Belarus \u2013 &#8220;Belarusian Voluntary Society for the Protection of History and Culture Monuments&#8221;, established in 1966. Historian-ethnologist and culturologist Anton Astapovi\u010d headed it for the last 15 years. One can hardly overestimate this organisation&#8217;s contribution to preserving historical and cultural heritage. On 28 April, Hrodna Regional Court ruled to liquidate the first officially registered Lithuanian public association, &#8220;Gimtin\u0117&#8221; (&#8220;Homeland&#8221;). The organisation\u2019s seat was at the Lithuanian-language secondary school in the village of Pielesa in the Hrodna region since 1993 (authorities shut down the Pielesa secondary school in August 2022). At least 204 cultural organisations have been forcibly liquidated since the targeted campaign to crack down on civil society in Belarus began in late 2020.<\/p>\n<p class=\"p19\" style=\"text-align: justify\">The state <b>interferes in all sectors of the cultural sphere<\/b>. The administrative obstacles it creates complement total censorship and a ban on freedom of expression. Just one phone call from the Ministry of Culture <a href=\"https:\/\/www.facebook.com\/nefiltravanae.kino\/posts\/pfbid02nCELH2hnu3edF4vmbFpHnXE1uAWfM1SSEqbtJEyQBiHNxNwbSxZwbnfoe38Mosmml?__cft__%255B0%255D=AZVmnjfEYUk6y-lJu9V6ggQm86_tDvEhLyIBS7QuVB17leg3YelhaZ9qRWPeteI_Ew7OzUYPafhvgcraslkAnS9KBvX-mjcvByu73AHFxYIMUcGbH07qvvVKDdJdXbywImfz-jzNILVLRfjWp5Ofr0XclkRN_oNyOrvtO3RghqmX7A&#038;__tn__=,O,P-R\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">cancelled<\/span><\/a> the offline festival of the author&#8217;s films &#8220;Unfiltered Cinema\u201d, scheduled in Minsk on 24-26 March. Authorities employed similar tactics to disrupt the educational <a href=\"https:\/\/www.facebook.com\/nefiltravanae.kino\/posts\/pfbid02sS3zNP6bweyPURfyXLjkCf59Vb6MiPsbKhswwRCJcnG2qCefpUA5Nhw8vznEAdffl?__cft__%255B0%255D=AZW1h6fobz-l8zeb1WK4HYptYGXKUrjAuvR70Dih0W4vSIh4l1pP4FZ30kt5kjZ4zSjo88gGWd0ni_75uH8eKxDHD7uPsprRKK30eXrkD2nHQ6MBXyiumYiZbAYw0tBsdLrRuQ9zPhMn-RxiphPBgD2beW4oklY4tEFipsznliurOB4ZbDFL_isjfmXKXXCw6dY&#038;__tn__=,O,P-R\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">film lectures<\/span><\/a> of the festival three times. The latest sequel of the Russian film &#8220;What Men Talk About&#8221; was removed from distribution following an <a href=\"https:\/\/lentafeed.com\/@ostorozhno_novosti\/14083\/\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">order<\/span><\/a> from the Ministry of Culture. The Belarusian psychological thriller &#8220;A Strange House&#8221;\u2019s screening was cancelled right before the premiere, as the movie was to pass &#8221; additional verification\u201d despite its April 6 unrestricted <a href=\"https:\/\/horrorzone.ru\/page\/psihologicheskij-triller-po-belorusski-v-prokat-vyshel-film-strannyj-dom\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">release<\/span><\/a> in Russia. The Russian-Belarusian series &#8220;Half an Hour Before<span class=\"Apple-converted-space\">\u00a0 <\/span>Spring&#8221;, dedicated to the legendary Soviet-time Pesniary band, was released in a <a href=\"https:\/\/reform.by\/cenzura-vo-vsej-krase-v-seriale-za-polchasa-do-vesny-neshhadno-obrezali-sceny-s-aktjorom-kupalovcem-dmitriem-esenevichem\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">redacted<\/span><\/a> form in Belarus. <i>&#8220;Following a request from the Ministry of Culture, the faces of these two actors <\/i>[Dzmitry Jesianievi\u010d and Hieorhi Piatrenka] <i>were<\/i> <i>blurred<\/i>&#8221; (\u00a9). The Ministry of Culture <span class=\"s8\">banned<\/span> the cosplay festival Free Time Fest in Homiel. Jahorava Hara folk group\u2019s jubilee <a href=\"https:\/\/www.facebook.com\/yagoravagara\/posts\/pfbid02swhzazYXEHP3AmAKDe7eiga4sqLKBPFqLvDCogZ7LA5UAMAoG9oJ6B7UGTSmHT7wl?__tn__=,O\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">concert<\/span><\/a> did not occur due to the band\u2019s forcible suspension. Ivan Kir\u010duk&#8217;s <a href=\"https:\/\/reform-by.cdn.ampproject.org\/c\/s\/reform.by\/monaspektakl-ivana-kirchuka-varazhbit-u-kupala-skim-tjeatry-admjanili\/amp\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">mono-performance<\/span><\/a> at the Kupala National Drama Theatre was cancelled.<\/p>\n<p class=\"p19\" style=\"text-align: justify\">Prime Hall, the capital city\u2019s most famous concert venue, was forced to remain <a href=\"http:\/\/primehall.by\/o-nas\/novosti\/item\/1088-prime-hall-zakryt-po-tekhnicheskim-prichinam\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">closed<\/span><\/a> for several months. <a href=\"https:\/\/nv-online.info\/minus-andrej-smoljak-ne-vse-hudozhniki-nashli-svoi-raboty-na-vystavke.html\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">The<\/span><\/a> exhibitions of Belarusian painting &#8220;Leanid \u0160\u010damialo\u016d. Dedication\u2026\u201d and \u201cExhibition of Belarusian easel and book graphics of the 20th-21st century\u201d in the Palace of Arts, organised by the Union of Artists, were cancelled. Book presentations, lectures, and round tables were cancelled in Minsk and the regions. Plays were removed from the repertoires, touring certificates were not issued, and &#8220;unreliable&#8221; for the regime cultural figures were not allowed to participate in exhibitions, conferences, festivals, meetings and other events. &#8220;<i>Only the &#8220;right&#8221; ones can be invited&#8221; <\/i>(\u00a9). The <a href=\"https:\/\/t.me\/minkultrb\/17657\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">words<\/span><\/a> of Anatol Markievi\u010d, the Minister of Culture, confirm the above. At the end-of-the-year meeting of Belarus\u2019 Ministry of Culture last February, he said, &#8220;<i>Traitors have no place on stage, whether it is a state-sponsored high-level event or a concert in an agricultural settlement.<\/i>&#8221; To strengthen the state&#8217;s role in regulating concert activities, the government has maintained a register of organisers of cultural and entertainment events since 1 August 2020. The Belarusian Philharmonic Society and other sizeable state-run concert organisations oversee the organisation of foreign performers\u2019 tours. Proposals were put forward to set up a register of performers and other creative workers, including scriptwriters and directors <a href=\"#shans\" target=\"_blank\" rel=\"nofollow noindex noopener\">[6]<\/a>.<\/p>\n<p class=\"p19\" style=\"text-align: justify\"><b>Censorship <\/b>in Belarus exists in two forms:<\/p>\n<ul class=\"ul2\" style=\"text-align: justify\">\n<li class=\"li19\"><span class=\"s4\">institutionalised<\/span> \u2013<\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">the amendments to the <a href=\"https:\/\/pravo.by\/document\/?guid=12551&#038;p0=H12200201&#038;p1=1&#038;p5=0.\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">Code<\/span><\/a> of Culture regulate the composition of participants at a cultural event, its theme, title, content, and organiser. The organiser can only be approved if included in the <b>Register of Organisers of Cultural and Entertainment Events<\/b>). &#8220;<i>This is the infamous decree, or whatever it is, on the organisation of mass events, and everyone is wondering what to do about it<\/i>&#8220;; &#8220;&#8230;<i>because you have to get permission, and not all events are approved<\/i>&#8220;, &#8220;&#8230;<i>now almost everything you do, even for free, has to get an approval. And if you are not in the register, you cannot even apply for a touring licence<\/i>&#8221; (\u00a9). However, even the presence of an organiser in the state register does not guarantee that they will be allowed to hold an event. We know of several cases where applications for a certificate to organize a cultural or entertainment event were rejected, for example, based on subparagraph 1.12 (&#8220;violation of other requirements of legal acts&#8221;) of Article 215 (1) of the Culture Code \u2013 that is, without explanation.<\/p>\n<ul class=\"ul2\" style=\"text-align: justify\">\n<li class=\"li19\"><span class=\"s4\">unspoken<\/span>: &#8220;<b>blacklists<\/b>&#8221; \u2013<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">a phenomenon that has existed in Belarus for decades and became widespread after the 2020 protests on a larger scale than ever before. Today, blocklists exist concerning professionals of creative careers &#8211; writers, artists, photographers, musicians, historians, museum workers, and tour guides: &#8220;&#8230;<i>if a person were exposed somewhere, a state institution would not hire them. Most likely, they will not get an invitation to an approved event&#8221;<\/i>; &#8220;<i>the lists are long, no one has ever seen them, but it regularly happens that all new artists somehow end up on these lists<\/i>&#8220;; &#8220;&#8230;<i>we do not have access, for example, &#8230; to someone who is not allowed. We must send each candidate <\/i>[to the Ministry of Culture] &#8230; <i>for verification<\/i>&#8220;; &#8220;&#8230;<i>it all becomes known experimentally. Probably, someone knows for sure that they are on this list, but someone doesn&#8217;t know if you don&#8217;t have any contact; for example, you are an artist, and you don&#8217;t exhibit, then maybe you don&#8217;t fully know whether you are there or not<\/i>&#8221; (\u00a9).<\/p>\n<p class=\"p19\" style=\"text-align: justify\">In the previous <a href=\"\/en\/2023\/04\/28\/rus-monitoring-narushenij-kulturnyh-prav-i-prav-cheloveka-v-otnoshenii-deyatelej-kultury-belarus-yanvar-mart-2023-goda.html\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">report<\/span><\/a>, we wrote about the &#8220;stop list&#8221; of banned performers in Belarus. Now, we can corroborate it with evidence. Speaking with the Viasna Human Rights Centre about his previous work as a sound operator at the House of Culture in Babrujsk, musician Via\u010dasla\u016d Arkata\u016d mentioned censorship by the Ministry of Culture. Officials sent down the list of banned songs and groups, including, for example, the Ukrainian performer Max Barskih, who was on the above-mentioned &#8220;blacklist&#8221;.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">During the reporting period, the monitors recorded for the first time such a type of persecution for dissent as <b>exclusion from creative unions<\/b>. It is known that ten artists, including Ale\u015b Pu\u0161kin, Henad\u017a Drazdo\u016d (sentenced last May to three years in prison), Uladzimir Ceslier (Tsesler) (living in exile) and several others, were expelled from the Belarusian Union of Artists by the board of the association.<\/p>\n\n<p class=\"p30\" style=\"text-align: center\"><span style=\"color: #3366ff\"><b><a id=\"Addition\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>ADDITION TO THE LIST OF &#8220;EXTREMIST MATERIALS&#8221;<\/b><\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">The &#8220;<a href=\"http:\/\/mininform.gov.by\/documents\/respublikanskiy-spisok-ekstremistskikh-materialov\/\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">List<\/span><\/a> of Extremist Materials&#8221; is one of the forms the regime uses to crack down on dissent. Except for isolated types of neo-Nazi, nationalist and radical religious products, most materials are included in the list for political reasons <a href=\"#materialy\" target=\"_blank\" rel=\"nofollow noindex noopener\">[7]<\/a><span class=\"s9\">. <\/span>In January\u2013June 2023, the Ministry of Information had at least <span class=\"s7\" style=\"color: #ff6600\"><b>75 <\/b><\/span>materials containing cultural content (books, magazines, music videos, websites, YouTube and Telegram channels, articles, etc.) or related to cultural figures (pages on social media). All these cases are recorded for this monitoring with the wording &#8220;designated as extremist material.&#8221; It is worth noting, however, that new entries are added to the list under provisions that conflict with the legal standards. They set harmful compliance practices.<\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li19\"><b>Literature and history<\/b><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\"><span class=\"s7\" style=\"color: #ff6600\"><b>Eighteen books<\/b><\/span> were branded &#8220;extremist materials&#8221; in the first half of this year. The list includes the works created or edited by Anatol Taras: &#8220;Belarus Above All! (About the National Belarusian Idea)&#8221;, &#8220;Notes of the Vacla\u016d Lasto\u016dski Belarusian History Amateurs&#8217; Association. \u201cRussian World\u201d Challenges and Belarus. Issue No 6&#8221;, &#8220;Post-Soviet Transit: Between Democracy and Dictatorship: Collection of Articles&#8221;, &#8220;Pages of the Past: Articles on the History of Belarus&#8221;, &#8220;Problems of Humanitarian Security in Belarus: Proceedings of a Conference&#8221; and &#8220;Transformation of Belarusians&#8217; Mentality in the XXI Century: Proceedings of a Conference\u201d as well as the following books: Uladzimir Bia\u0161ana\u016d, Schooling in 1942; Vadzim Dzieru\u017eynski, Forgotten Belarus; Siarhiej Zacharevi\u010d, Big Blood: How USSR Won the War in 1941\u20131945; Leanid Ly\u010d, National and Cultural Life in Belarus during the War (1941-1944); Viktor Suvorov, The Shadow of Victor&#8221;; Aleh Usa\u010do\u016d, Who, How and Why Killed Wilhelm Kube&#8221;; Aliaksandr Smalian\u010duk, Liberated and Imprisoned. The Polish-Belarusian Cross-Border Life in 1939-1941 in Documents of Belarusian Archives&#8221;; Alhierd Bacharevi\u010d, &#8220;The Last Book by Mr A &#8220;; Anatol Hato\u016d\u010dyc, The Odyssey of<span class=\"Apple-converted-space\">\u00a0 <\/span>BNR\u2019s Captain; Siarhiej Siuzie\u016d, Twenty Years of Slavery: Belarus Today&#8221;; Alicja Dybkowska, Ma\u0142gorzata \u017baryn, Jan \u017baryn, The History of Poland from the Ancient Times to Present; Polish Patriotic Songs.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p28\" style=\"text-align: justify\"><span class=\"Apple-converted-space\"> <img decoding=\"async\" class=\"alignnone size-full wp-image-12739\" src=\"\/wp-content\/uploads\/2023\/08\/slajd5.jpg\" alt=\"\" width=\"1280\" height=\"720\" \/ loading=\"lazy\" srcset=\"https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd5.jpg 1280w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd5-300x169.jpg 300w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd5-1024x576.jpg 1024w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/slajd5-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">29 books (fiction, journalism, science) have been branded &#8220;extremist&#8221; since 2021.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">Telegram channels about the history of Belarus received the status of &#8220;extremist materials&#8221;: On 27 February, the Ministry of Information included the <b>Historyja <\/b>channel (&#8220;Kana\u0142 pra na\u0161u historyju \/ Channel about our history&#8221;)<span class=\"Apple-converted-space\">\u00a0 <\/span>\u2013 already designated an &#8220;extremist formation&#8221; since June 2022 \u2013 in the list of \u201cextremist materials\u201d; on 6 April \u2013 <b>Belarus history<\/b> (&#8220;History of Belarus in photos and short interesting facts&#8221;); on 13 April \u2013 local historian and tour guide Cimafiej Akudovi\u010d\u2019s Belaruski <b>Babilon<\/b> (Belarusian history from extraordinary angles). On 6 March, nine issues of the popular science magazine <b>Na\u0161a Historyja<\/b> (Our History) and three issues of the independent scientific, popular science, socio-political and literary-artistic magazine <b>ARCHE<\/b>, published in 2018-2020, were added to the list.<\/p>\n<ul class=\"ul1\">\n<li class=\"li1\"><b>Music<\/b><\/li>\n<\/ul>\n<p class=\"p1\" style=\"text-align: justify\">On 7 February, the punk anthem of the late 1990s, &#8220;<span style=\"color: #ff6600\"><span class=\"s2\">Our Home is Belarus<\/span>&#8220;<\/span>, was declared &#8220;<span class=\"s3\" style=\"color: #ff6600\">extremist<\/span>&#8220;. On 8 February, the video and lyrics of the song &#8220;<span class=\"s3\" style=\"color: #ff6600\">Extremist<\/span>&#8221; (2023) by <b>Daj Darohu<\/b>! was the second music video that became &#8220;extremist&#8221; after Baju-Baj (Lullaby) (2020) in August 2021). On 24 February, the list included the VKontakte page of the Belarusian neofolk band <b>Kryvakry\u017e<\/b>, with their <a href=\"https:\/\/vk.com\/wall-57794583_175\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s4\">opus magnum<\/span><\/a> album &#8220;Malitvy Vainy&#8221; (The Prayers of War) (2009) described as <i>&#8220;extremely politicised, biased and Russophobic.\u201d<\/i> On 14 March, the music video &#8220;<span style=\"color: #ff6600\"><span class=\"s2\">Sumarok \u2013 <\/span><span class=\"s3\">\u010cerci<\/span><\/span>&#8221; by the <b>Sumarok <\/b>group, containing footage of protests in Maladzie\u010dna in 2020, was added to the list. Last year, an article about this video, published in the <i>Rehijanalnaja Hazieta<\/i> in October 2020, was declared &#8220;extremist.&#8221; On 31 March, the list was supplemented with the band\u2019s other music video, &#8220;<span class=\"s2\" style=\"color: #ff6600\">Sumarok \u2013 2020<\/span>&#8220;. On 12 April, &#8220;<span class=\"s2\" style=\"color: #ff6600\">2020<\/span>&#8220;, &#8220;<span class=\"s2\" style=\"color: #ff6600\">Tarakan<\/span>\u201d (demo) and &#8220;<span class=\"s2\" style=\"color: #ff6600\">Papitsot<\/span>&#8221; by <b>Deti Khrushchevok<\/b>,<b> <\/b>as<b> <\/b>well as its YouTube channel and accounts on social media, were declared &#8220;extremist&#8221;. On 26 April<span class=\"s2\">,<\/span> another Ukrainian song, &#8220;<span class=\"s2\" style=\"color: #ff6600\">Ah, Bandero<\/span><span class=\"s5\">!<\/span>&#8221; appeared on the list. In November 2022<span class=\"s2\">,<\/span> &#8220;Our Father is Bandera, Ukraine is Mother&#8221; was deemed &#8220;extremist&#8221;. On 25 May, four songs of the <b>faceOFF <\/b>group: &#8220;<span class=\"s2\" style=\"color: #ff6600\">Pora!!!<\/span>&#8220;, &#8220;<span class=\"s2\" style=\"color: #ff6600\">Guardians of the Galaxy<\/span>&#8220;, &#8220;<span class=\"s2\" style=\"color: #ff6600\">Hate<\/span>&#8220;, and &#8220;<span class=\"s5\" style=\"color: #ff6600\">Viasna<\/span>&#8220;, as well as its VKontakte page, were added to the list. On 23 June, the YouTube channel Tyapin<b> CREW<\/b>, the website and social media accounts of rapper Andrej Ciapin (Tyapin) were added to the list.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li2\"><b>Cinema<\/b><\/li>\n<\/ul>\n<p class=\"p2\" style=\"text-align: justify\">On 24 February, the Salihorsk District Court of Minsk Region, among other things, designated the VKontakte group dedicated to the 2013 feature film &#8220;<span class=\"s3\" style=\"color: #ff6600\">\u017dyvie Bielarus! || Viva Belarus!<\/span>&#8221; as &#8220;extremist material&#8221;. <i>&#8220;The first feature film about contemporary Belarus in the Belarusian language&#8221;<\/i>, as the group&#8217;s description says.<\/p>\n<ul class=\"ul1\" style=\"text-align: justify\">\n<li class=\"li33\"><b>Belarusian language and culture, in general<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/li>\n<\/ul>\n<p class=\"p19\" style=\"text-align: justify\">On 7 April, the Maladzie\u010dna-based independent newspaper <b><i>Rehijanalnaja Hazieta<\/i><\/b>, which covered the topics of culture, history and language, was designated as &#8220;extremist material&#8221;. In operation since 1995, the Belarusian-language newspaper had to stop its printed version in July 2021 after searches in the editorial office and journalists\u2019 houses. The editor-in-chief Aliaksandr Mancevi\u010d is a political prisoner. On 26 April, <b><i>Euroradio.fm<\/i> <\/b>website<b> <\/b>was<b> <\/b>added to the list. The media outlet was designated an &#8220;extremist formation&#8221; in July 2022. On 22 May, the Telegram channel <b><i>Tolki pra movu<\/i><\/b> (About Language Only) (&#8220;A channel for those who think and care about the language&#8221;) appeared on the list. On 8 June, the website (and social media channels) of the Belarusian Association of Journalists (branded as an &#8220;extremist formation&#8221; last February) was added to the list. On 28 June, the website and Telegram channel of the cultural and educational portal about Belarus <b><i>Bud\u017ama Bielarusami!<\/i><\/b> appeared on the list of the Ministry of Information. The information and entertainment show &#8220;<b>Heta Minsk, Dzietka!<\/b>&#8220;<b> (This Is Minsk, Baby!)<\/b>&#8221; on YouTube was also put on the list of &#8220;extremist materials&#8221;.<\/p>\n\n<p class=\"p36\" style=\"text-align: center\"><span style=\"color: #800080\"><b><a id=\"Public\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>ISSUES OF STATE POLICY IN THE SPHERE OF CULTURE<\/b><\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">At the end of June, media reported about the removal from Belarus of two historical and cultural values: the shrine of St. Felician the Martyr \u2013 a relic from the Minsk Cathedral, and the Brest (Radziwill) Bible \u2013 the rarest West Slavic palaeotype.<\/p>\n<p class=\"p3\" style=\"text-align: justify\"><span class=\"Apple-converted-space\"> <img decoding=\"async\" class=\"alignnone size-full wp-image-12748\" src=\"\/wp-content\/uploads\/2023\/08\/snimok-ekrana-2023-08-07-v-11.20.59.png\" alt=\"\" width=\"1416\" height=\"818\" \/ loading=\"lazy\" srcset=\"https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/snimok-ekrana-2023-08-07-v-11.20.59.png 1416w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/snimok-ekrana-2023-08-07-v-11.20.59-300x173.png 300w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/snimok-ekrana-2023-08-07-v-11.20.59-1024x592.png 1024w, https:\/\/penbelarus.org\/wp-content\/uploads\/2023\/08\/snimok-ekrana-2023-08-07-v-11.20.59-768x444.png 768w\" sizes=\"auto, (max-width: 1416px) 100vw, 1416px\" \/><\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">The media articles questioned the legality of relics\u2019 export. Still, the state authorities have not provided a public explanation until now, nor do we know whether an official investigation is underway and what measures are being taken [during the preparation of the material for publication it became known that the story had a continuation] <a href=\"#spadczyna\" target=\"_blank\" rel=\"nofollow noindex noopener\">[8]<\/a>. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">The state continues the policy aimed at de-Belarusisation (discriminatory attitude toward the Belarusian language, persecution for Belarusian identity) and promoting the \u201cRussian World\u201d culture and ideology. It fights with &#8220;Western values&#8221; and culture (LGBT literature, St. Valentine&#8217;s Day, Halloween, Huggy Wuggy, etc.), Polish-Lithuanian heritage and develops study guides for promoting patriotic education of the younger generation and the unified state policy of historical memory. The state also shuts down private educational institutions and persecutes representatives of academia, religious organisations and communities, political parties and other associations.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p19\" style=\"text-align: justify\">New steps are made to strengthen control in the cultural sector:<\/p>\n<ul class=\"ul1\">\n<li class=\"li19\" style=\"text-align: justify\">On 1 January, <a href=\"https:\/\/pravo.by\/document\/?guid=12551&#038;p0=C22200582&#038;p1=1&#038;p5=0\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">Resolution<\/span><\/a> No. 582 &#8220;On Sightseeing Services&#8221; came into force, regulating the activities of tour guides and guides-interpreters. Now only specialists who have passed certification can work in the profession. Those with criminal convictions under several (politically motivated) articles cannot pass certification. Accordingly, some specialists see their previously issued attestation certificates cancelled. Among those deprived of the right to work are also without administrative punishment, but they were allegedly complained against or &#8220;do not meet the moral standards of a tour guide&#8221;. According to the new rules, only museum employees can provide sightseeing services.<\/li>\n<li class=\"li19\" style=\"text-align: justify\">During the period under study, not only tour guides but also craftspeople underwent a recertification procedure. To remain in a more favourable taxation system (to pay the smaller fixed craft fee rather than a tax on professional income), craftspeople had to have their status <a href=\"https:\/\/sputnik.by\/20230430\/gde-minchanam-podtverdit-status-remeslennika-rasskazali-vlasti-stolitsy-1074971851.html\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">confirmed<\/span><\/a> before 1 July in the local administration\u2019s ad hoc commission. Under the requirements, they had to present their products at specialised state-sponsored venues (exhibitions and fairs). The aim was reportedly to reduce the number of artisans by 50 per cent. As with the right to organise cultural and entertainment events, restrictions for tour guides and guides-interpreters, this new procedure is a legal mechanism for excluding people from a particular service branch.<br \/>\n<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/li>\n<li class=\"li19\" style=\"text-align: justify\">On 6 January, the <a href=\"https:\/\/pravo.by\/document\/?guid=12551&#038;p0=H12300241&#038;p1=1&#038;p5=0\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">law<\/span><\/a> &#8220;On Restricting Exclusive Rights to Intellectual Property Items&#8221; legalised for two years the parallel import and pirated use of musical and audiovisual works, computer software and other intellectual property items without the consent of the rights holders and payment of a royalty.<\/li>\n<li class=\"li19\" style=\"text-align: justify\">On 24 March 2023, the <a href=\"https:\/\/pravo.by\/document\/?guid=12551&#038;p0=W22339778&#038;p1=1&#038;p5=0\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">Resolution<\/span><\/a> of the State Property Committee of the Republic of Belarus &#8220;On the Transfer of Names of Geographical Objects from Belarusian and Russian into Other Languages&#8221; was published and came into force. It regulates replacing geographical names transliterated from the Belarusian language with Russian-based transliterations. Essentially, it leaves no space for transliteration in the Belarusian Latin alphabet. The transliteration system for geographical names was &#8220;<a href=\"https:\/\/www.belta.by\/society\/view\/matusevich-sistema-transliteratsii-geograficheskih-nazvanij-budet-usovershenstvovana-539112-2022\/\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">improved<\/span><\/a>&#8221; following a massive campaign of pro-governmental activists, tirelessly fighting against the national identity-oriented heritage of Belarus, including the Belarusian language. Under this resolution, the replacement of names \u2013 in particular, the replacement of signboards at city transport stops \u2013 has begun.<br \/>\n<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/hobbypark.by\/upload\/iblock\/1c5\/y2zg6uku3ekchv6wqr3a548jw8oir2qv\/Poryadok-ekspluatatsii-grazhdanskikh-bespilotnykh-letatelnykh-apparatov.pdf\" class=\"count\" target=\"_blank\" rel=\"nofollow noindex noopener\"><span class=\"s8\">procedure<\/span><\/a> regulating the operation of civilian drones makes aerial photography as tricky as possible. On 4 June, the new rules for using unmanned aerial vehicles (UAVs) came into force, setting more restrictions. Almost all UAVs are subject to state registration. Each operator must undergo training, obtain permission to use airspace, take aerial photographs and carry certain documents when flying.<\/p>\n\n<ol>\n<li class=\"p1\"><span style=\"font-size: 10pt\">42 semi-structured interviews were conducted with Belarussian cultural figures from March to June 2023<a id=\"semi\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">(\u00a9) &#8211; Quotes from the study on hidden repression<a id=\"Quotes\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">Information on the number of cultural workers in detention is not definitive, as not all of them are immediately known<a id=\"known\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">One of the types of punishment under criminal articles is restriction of liberty without referral to an open-type correctional institution<a id=\"institution\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">Ale\u015b Pu\u0161kin&#8217;s death became known during the preparation of this report<a id=\"report\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">https:\/\/www.sb.by\/articles\/markevich-predatelyam-ne-mesto-na-stsene-no-raskayavshimsya-daetsya-vtoroy-shans.html<a id=\"shans\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">https:\/\/humanconstanta.org\/razbiraemsya-s-ekstremistskimi-spiskami-chto-vxodit-v-ekstremistskie-materialy\/.<a id=\"materialy\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a><\/span><\/li>\n<li class=\"p1\"><span style=\"font-size: 10pt\">https:\/\/t.me\/spadczyna\/9249<a id=\"spadczyna\" target=\"_blank\" rel=\"nofollow noindex noopener\"><\/a>.<\/span><\/li>\n<\/ol>\n\n<p><strong><a href=\"\/wp-content\/uploads\/2023\/08\/sz-eng.pdf\" class=\"count\" target=\"_blank\" rel=\"nofollow noindex noopener\">Download PDF<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since October 2019, PEN Belarus has systematically documented the violations of cultural rights and human rights of cultural workers. This monitoring report contains statistics and analyses of violations in the field of culture in January\u2013June 2023. It summarises information collected from open sources (77% of cases), through personal contacts (11%) and in direct communication with<\/p>\n","protected":false},"author":63,"featured_media":12774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4255,1],"tags":[4292,4256],"class_list":["post-12734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultural-right","category-news","tag-penanalytics","tag-kulturnyya-pravy"],"_links":{"self":[{"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/posts\/12734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/comments?post=12734"}],"version-history":[{"count":57,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/posts\/12734\/revisions"}],"predecessor-version":[{"id":15811,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/posts\/12734\/revisions\/15811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/media\/12774"}],"wp:attachment":[{"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/media?parent=12734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/categories?post=12734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/penbelarus.org\/en\/wp-json\/wp\/v2\/tags?post=12734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}